LITERARY AND CULTURAL STUDIES 201-1
literary & cultural constructions of crime



 
Richard Lowry
Phone: x11285
Email: rslowr@wm.edu
Main Office: American Studies Office, College Apartments
English Office: Tucker 214
Office Hours: Thursday. 12:30-2:00 in Tucker
Required Texts
Requirements
Syllabus
Part I: Foundations
Part II: Inventing Criminals
Part III: Crime, Order, & Difference
 
 

REQUIRED TEXTS:

Foucault, et. al, eds., I, Pierre Rivière
Edgar Allan Poe, The Portable Poe
Arthur Conan Doyle, The Adventures of Sherlock Holmes
Sigmund Freud, Dora
Mark Twain, Pudd'nhead Wilson
Dashiell Hammett, The Maltese Falcon
Patricia Cornwell, From Potter’s Field
Weegee, Naked City
Janet Malcolm, The Journalist and the Murderer
You will also need to purchase a required Course Packet of supplemental readings.  These are marked on the
syllabus with an “*.”  Other readings, available at the web site, are marked by “†.”

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REQUIREMENTS:
Of course you are expected to attend class, participate in discussion, and finish the reading on the day it is assigned
on the syllabus.  You are also expected to attend the screening of four films during the course of the semester held on Monday
nights, 6 pm, in McGlothlin-Street 20.  I will hand out a set of questions to guide your watching of the film; you are expected to
use the questions to write an informal and brief  (one page or so) reaction to the film.  If, for reasons you have explained to me,
you cannot attend the screening, you will be responsible for watching the film in the Charles Center Viewing Lab, where it will
be on reserve, in time to discuss the next day in class.

We will have a midterm and a final.  In addition, you will be responsible for turning in two short (3-4 pages)
papers.  Your first paper will be due Friday, September 17, at 5 pm; the second will be due Monday, Nov. 8, at 5 pm.   Late
papers will be downgraded one grade (for example, from B+ to B) for every half day it is late.  Requests for extensions must be made at least 24 hours before the paper is due.

Finally, each you will participate in a final project, which will entail both a group presentation and an individual
paper.  Early on I will break you into small groups (4, maybe 5 students).  Each group will be assigned a general topic in crime
and culture.  Each member of the group will then choose one “cultural text” not on the syllabus that addresses that topic.  By
“cultural text” I mean any kind of expressive or popular culture you might be interested in: a novel, a film, a television show, a
series of magazine or newspaper articles (for instance Newsweek’s coverage of the event at Columbine high school), music,
non-fiction narratives, web site(s), video games.  Whatever you choose, you will need to tell me what it is before you begin
work on it.  Each member of the group will work on a different text.  At the end of the semester the group will give to the class
a 20 minute presentation on its topic, integrating the findings and ideas from everyone in the group. To finish the project, each
group will turn in a summary (5 pages or so) of the presentation; each student will also turn in a 5-7 page critical paper on the
specific cultural text he or she has worked with (the topic may or may not coincide with what the group presented).

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SYLLABUS

Aug 26:Introduction

PART I: FOUNDATIONS

Culture, Crime

Aug. 31:Stuart Hall, “The Work of Representation”*
Sept. 2:Stuart Hall, et al Policing the Crisis;* Michel Foucault, Discipline & Punish;*

The Pornography of Violence

                      Sept 6:  6 pm: Film: Natural Born Killers
Sept 7: Bok, Mayhem;* Zillman, “The Psychology of the Appeal of the Potrayal of Violence;”*  Hoberman, “’A Test for
the Individual Viewer;’”* readings on NBK†
Sept 9: Bok, Zillman, et. al.
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PART II: INVENTING CRIMINALS

On the Verge of Modernity
Sept 14:I, Pierre Rivière
Sept 16:Mock Trial

Sept. 17:Paper #1 due; 9 am

Gothic: The Horror in Us All

Sept 21: Poe, “Berenice,” “The Tell-Tale Heart,” “The Fall of the House of Usher,”  “The Black Cat,” “The Cask of
Amontillado”
Sept 23: Poe, “Murders in the Rue Morgue,” “The Purloined Letter” “The Man of the Crowd,” “The Mystery of Marie
Rogêt”

The Pleasure of the Law

Sept 28:Doyle, The Adventures of Sherlock Holmes
Sept 30:Doyle, Holmes

The Laws of Pleasure

Oct 5:Freud, Dora
Oct 7:Freud, Dora

Oct 12:Fall Break
Oct 14:Midterm

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PART III: CRIME, ORDER, & DIFFERENCE

Race, Law, and Honor
Oct 19:Twain, Pudd’nhead Wilson
Oct 21:Twain, Pudd’nhead Wilson

Noir Men

Oct. 25, 6 pm: Film:Double Indemnity
Oct 26:Hammett, The Maltese Falcon
Oct 28:Hammett, The Maltese Falcon

NoirWomen

Nov. 1, 6 pm: Film:The Silence of the Lambs
Nov 2:Cornwell, From Potter’s Field
Nov 4:Cornwell, From Potter’s Field

Nov 8:Paper #2 due

Nov 9:group meetings
Nov 11:group meetings

Mean Streets

Nov. 15, 6 pm: Film:Rear Window
Nov 16:Weegee, Naked City; Susan Sontag, On Photography*
Nov 18:Weegee, Naked City

In the News
Nov 23:Malcolm, Journalist & Murderer
Nov 25:Thanksgiving
 

Nov 30:Presentations
Dec 2:Presentations

Final Exam Monday,  Dec. 13, 1:30 am

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